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{"id":2975,"date":"2022-06-07T13:04:03","date_gmt":"2022-06-07T13:04:03","guid":{"rendered":"https:vielklang23.vielklang.org\/?post_type=profile&p=2975"},"modified":"2022-06-29T13:45:43","modified_gmt":"2022-06-29T13:45:43","slug":"chloe-de-guillebon","status":"publish","type":"profile","link":"https:\/\/vielklang23.vielklang.org\/en\/artist\/chloe-de-guillebon\/","title":{"rendered":"Chlo\u00e9 de Guillebon"},"content":{"rendered":"
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\"\"<\/p>\n

Die junge franz\u00f6sische Cembalistin Chlo\u00e9 de Guillebon war erste Preistr\u00e4gerin der internationalen Cembalowettbewerbe von Pesaro (2017) und Vilnius (2020) und ist bei einer Reihe von renommierten Festivals aufgetreten, so beim Stockholm Early Music Festival, der Sinfonia en P\u00e9rigord, dem Bauska Festival sowie im Kloster Royaumont. Chlo\u00e9 war von 2014 bis 2020 Stipendiatin der Fondation Royaumont und in 2020 sowie 2021 Preistr\u00e4gerin von Jeunes Talents.<\/p>\n

Gesch\u00e4tzt f\u00fcr ihr kreatives und pr\u00e4zises Continuospiel, tritt sie auch gemeinsam mit vielen jungen Ensembles auf, sowohl mit der Orgel als auch mit dem Cembalo.<\/p>\n

Ihr Studium absolvierte Chlo\u00e9 an verschiedenen Instituten, wie zum Beispiel an der Hochschule f\u00fcr Musik in Trossingen bei Prof. Marieke Spaans, in M\u00fcnchen an der Hochschule f\u00fcr Musik und Theater bei Prof. Christine Schornsheim sowie in Basel an der Schola Cantorum Basiliensis, wo sie ihren Master in Generalbass bei Prof. J\u00f6rg Andreas B\u00f6tticher abschloss. Derzeit arbeitet Chlo\u00e9 an der Schola Cantorum Basiliensis als Korrepetitorin und studiert gleichzeitig bei B\u00e9atrice Martin am Conservatoire \u00e0 Rayonnement R\u00e9gional de Paris.<\/p>\n

Im Jahr 2020 gr\u00fcndete Chlo\u00e9 ihr eigenes Ensemble, Le Concert de la Reine, das sich zum Ziel gesetzt hat, vergessene Meisterwerke, die f\u00fcr Stimme und Viola da Gamba komponiert wurden, wieder ans Licht zu bringen. Dieses im Barock so beliebte Instrument erm\u00f6glicht eine enorm gro\u00dfe Bandbreite an Farben und Dynamik, auf der eine Stimme ihre innigste Sch\u00f6nheit entfalten kann.<\/p>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":2977,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"pl-categs":[73,57],"class_list":["post-2975","profile","type-profile","status-publish","has-post-thumbnail","hentry","pl-categs-koncert-28-8","pl-categs-vielklang-festival"],"_links":{"self":[{"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/profile\/2975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/types\/profile"}],"replies":[{"embeddable":true,"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/comments?post=2975"}],"version-history":[{"count":3,"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/profile\/2975\/revisions"}],"predecessor-version":[{"id":3048,"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/profile\/2975\/revisions\/3048"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/media\/2977"}],"wp:attachment":[{"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/media?parent=2975"}],"wp:term":[{"taxonomy":"pl-categs","embeddable":true,"href":"https:\/\/vielklang23.vielklang.org\/en\/wp-json\/wp\/v2\/pl-categs?post=2975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}